Reggae vocalist Daniel ‘Blae’ Minott, son of the late reggae luminary Sugar Minott, is resolute in his commitment to uphold and expand upon his father’s influential legacy, propelling the Sugar Minott brand onto the global stage.
Renowned for his altruism and unwavering advocacy on behalf of inner-city youths, Sugar Minott’s impact extended beyond his music, as witnessed through initiatives like Youth Man Promotions, which provided mentorship to numerous artists. Esteemed names such as Yami Bolo, Junior Reid, Tenor Saw, and Nitty Gritty all benefited from his guidance.
Daniel Minott is now poised to embrace his father’s principles and contribute to the reggae landscape. Confident that fans of the genre will appreciate the significance of his endeavor, he presents his latest creation, the ‘Citizen of Love’ EP, a seven-track compilation featuring powerful collaborations. Among them, the title track, ‘Citizen of Love,’ features Luciano, while ‘Human Race’ showcases Natural Black. Additional tracks include ‘Zion Praise,’ ‘Jah ah See Yu’ featuring Psalms, and ‘Slow Rocking’ featuring Tampanae.
Proudly carrying forward his father’s legacy, Daniel Minott pays homage to Sugar Minott, also known as Lincoln Minott, recognized as the “Godfather of Dancehall.” Sugar Minott’s illustrious career spanned various reggae genres, from roots and lovers’ rock to dancehall and ragga. He made a breakthrough in the late 1970s with hits like ‘Vanity’ and the pro-ganja anthem ‘Oh Mr DC’ for Studio One.
Achieving international acclaim in the 1980s, Sugar Minott entered the UK Top 5 with his soulful cover of Michael Jackson’s B-side, “Good Thing Going,” in 1981. This marked him as a leading voice in the soul-flavored Lovers’ Rock sub-genre, making an impact that resonated with the British audience. Although residing in London for a period, Sugar Minott’s influence extended globally, as seen through appearances on Top Of The Pops and subsequent releases like the Lovers’ Rock adaptation of “Never My Love” in 1981. While the latter didn’t replicate the success of its predecessor, it further showcased Sugar Minott’s versatility and enduring impact on the reggae landscape.